Ozone 2 tonal balance control
Fantastic for taming percussive transients, Spectral Shaper can tame sibilant hi-hats, harsh vocals, plucky acoustic guitars, and other overly bright mix elements. Whether you need a quick confidence check on a mix, or are perfecting your final master, Tonal Balance Control 2 is essential for any project. Mold your audio by applying frequency-specific dynamics, surgically or creatively, to create smooth, balanced audio. Solo frequencies that are out of bounds, and make adjustments across your mix from within Tonal Balance Control 2 using controls that talk to Neutron 3, Ozone 9, and other compatible iZotope plug-ins. Building on a 17-year legacy in audio mastering, Ozone 9 brings balance to your music with never-before seen processing for low end, real-time instrument separation, and lightning-fast workflows powered by machine learning. Smooth and sculpt problematic and harsh frequencies with the new Spectral Shaper module. It enables Tonal Balance Control 2 to hear what’s taking place on any track with an instance of Nectar, VocalSynth, Neutron, Relay, Insight, or Ozone instantiated and make per-track EQ and gain adjustments right from Tonal Balance Control 2’s interface. PLEASE NOTE: This is a crossgrade for current owners of Tonal Balance Control 2.
Compare your work with track references and genre standards informed by analysis on years of popular masters, achieve a target sonic profile, and ensure your delivery will translate for popular distribution channels. Master Assistant, Track referencing up to 10 tracks, and seven multiband mastering processors: Imager, Maximizer, EQ, Dynamic EQ, Dynamics, Exciter, and Vintage Limiter. The new Tonal Balance Control plug-in presents industry-first visual analysis and communicates with all instances of Neutron 2, allowing you to reach your desired master faster.
OZONE 2 TONAL BALANCE CONTROL PROFESSIONAL
Enhanced with new, futuristic, intelligent features, Ozone 8 is your one stop for a tonally balanced, professional master with twelve essential mastering processors. In addition, TBC 2 comes with the Relay Source 1. TBC 2 is also part of Music Production Suite 3, and there is also a Tonal Balance Bundle.
Fix your mix in one window Talk to compatible iZotope plug-ins like Relay and adjust your tracks without leaving Tonal Balance Control 2. Tonal Balance Control 2 comes with iZotope’s Neutron 3.1 Advanced (399), Ozone 9.0 Advanced (499) or it can be purchased separately as a standalone version (199). Or, load an audio file to create a custom reference curve. Finalize and fine-tune your master using target curves for different genres, or upload your own unique custom curve and create with confidence that you’ll achieve a balanced mix. Master your audio with over fifteen years of audio industry firsts at your fingertips. Why Tonal Balance Control 2 Create with confidence Clearly view the tonal balance of your audio and compare against 12 target curves representing popular music genres. 4.64 of 5 Stars (45 reviews) Make mixes that translate to any sound system with Tonal Balance Control 2. I should also say I always add a light layer of reverb gloss on top at the mastering stage.As the industry’s most comprehensive mastering suite, Ozone 8 adds to its legacy by introducing new intelligent signal processing, spectral shaping, Tonal Balance Control, and more. I find if I get the gain staging right then the mastering multiband compressors and the final limiter have very little to do and don't seem to make a huge difference.įor orchestral style music I rarely use any of the fancy sound enhancing tools but I do use those a lot on synth music and vocal backings. But with advancing years I did a test a few years back and I can't hear much about a certain range anyway so that is another reason why Tonal Balance Control is useful. For customers familiar with version one of Tonal Balance Control, this new generation features a number of exciting changes, like all-new genre-specific targets you can reference against, and a completely resizable interface.
OZONE 2 TONAL BALANCE CONTROL FULL
I hear what you say about preferring a full body sound - I too like a full body sound and I don't like a lot of modern very toppy music.īut I use the tonal balance control and comparing my mix with their standard orchestral balance it appears that my samples are missing little bit of energy in the very high end about 18kHz and up. Improved Tonal Balance Control in Ozone 9. Hi Paolo, I should say first I am using samples, which I find are missing a little bit of very high top end compared with when I hear live musicians.